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	<title>Movies to be seen!! &#187; Documentary</title>
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		<title>Capitalism: A love story</title>
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		<pubDate>Thu, 19 Nov 2009 01:25:34 +0000</pubDate>
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				<category><![CDATA[Documentary]]></category>

		<guid isPermaLink="false">http://www.moviestobeseen.com/?p=80</guid>
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Watch Capitalism: A love story movies  online
On the 20-year anniversary of his groundbreaking masterpiece Roger &#38; Me, Michael Moore&#8217;s Capitalism: A Love Story comes home to the issue he&#8217;s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). But [...]]]></description>
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<p>Watch Capitalism: A love story movies  online</p>
<p>On the 20-year anniversary of his groundbreaking masterpiece Roger &amp; Me, Michael Moore&#8217;s Capitalism: A Love Story comes home to the issue he&#8217;s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan. From Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan, Michael Moore will once again take film goers into uncharted territory. With both humor and outrage, Michael Moore&#8217;s Capitalism: A Love Story explores a taboo question: What is the price that America pays for its love of capitalism? Years ago, that love seemed so innocent. Today, however, the American dream is looking more like a nightmare as families pay the price with their jobs, their homes and their savings. Moore takes us into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal&#8230;and 14,000 jobs being lost every day. Capitalism: A Love Story is both a culmination of Moore&#8217;s previous works and a look into what a more hopeful future could look like. It is Michael Moore&#8217;s ultimate quest to answer the question he&#8217;s posed throughout his illustrious filmmaking career: Who are we and why do we behave the way that we do?</p>
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		<title>&#8220;This is it&#8221;</title>
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		<pubDate>Wed, 18 Nov 2009 23:37:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary]]></category>

		<guid isPermaLink="false">http://www.moviestobeseen.com/?p=73</guid>
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The film opens with a short text introduction stating the purpose of the footage and its intent &#8220;For the fans&#8230;&#8221;. After short dialogues from various dancers, Kenny Ortega is heard talking through the original concert opening sequence involving a body suit made from screens which display fast clips and images with bright intensity from which [...]]]></description>
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<p>The film opens with a short text introduction stating the purpose of the footage and its intent &#8220;For the fans&#8230;&#8221;. After short dialogues from various dancers, Kenny Ortega is heard talking through the original concert opening sequence involving a body suit made from screens which display fast clips and images with bright intensity from which Jackson emerges on stage. Immediately after this, Jackson begins &#8220;Wanna Be Startin&#8217; Somethin&#8217;&#8221; first solo, which pauses half-way through and a small snippet of Jackson singing his song &#8220;Speechless&#8221; acapella is shown. Jackson is then joined by dancers and completes the first number. A short clip showing rehearsals of the &#8220;toaster&#8221; mechanism is shown before rehearsal footage of &#8220;Jam&#8221; is played. This plays directly into the green screen adaption of soldiers dancers for &#8220;Bad&#8221; which are also used for &#8220;They Don&#8217;t Really Care About Us&#8221; which is shown next. From here, the film shows Michael directing Ortega and his band for his solo rehearsal performance of &#8220;Human Nature&#8221; which he performs acapella, then acoustic and finally with full band. Green screen rehearsals for the video vignette for &#8220;Smooth Criminal&#8221; come next, with dress rehearsals of the song following, including parts of the vignette intertwined with the dancing. Jackson is seen next directing his musical team for the cues in his song &#8220;The Way You Make Me Feel.&#8221; Jackson then performs a rehearsal with dancers which he alters and changes as he goes. A small animatic introducing the Jackson 5 is shown afterwards, and Michael then rehearses &#8220;I Want You Back&#8221;, &#8220;The Love You Save&#8221;, &#8220;I&#8217;ll Be There&#8221; and &#8220;Shake Your Body.&#8221; Jackson stops only to report problems with his earpiece. After this, Jackson sings with one of his back up singers on his duet song &#8220;I Just Can&#8217;t Stop Loving You&#8221; in which he sings at full strength, directing his partner as he goes. The filming for the &#8220;Thriller&#8221; vignette is then shown with Jackson and Ortega watching with 3D glasses. Jackson is then seen rehearsing &#8220;Thriller&#8221; with the vignette intertwined like that in &#8220;Smooth Criminal.&#8221; During the dance sequence, puppets are suspended in the audience aisles while Jackson emerges from a robotic spider originally seen in the vignette. Jackson and Ortega rehearsing the cherry-picker is seen next, along with Jackson rehearsing &#8220;Beat It.&#8221; Jackson creates the ending he wants for the song, a long drum build up in which he tears off his jacket and burns it. Footage of the show&#8217;s aerialists rehearsing to the instrumental of &#8220;Who Is It&#8221; is shown next, followed by the Jackson and his band rehearsing &#8220;Black or White,&#8221; in which he allows guitarist Orianthi Panagaris to take center stage to finish with a high guitar rift. The video-sequence for &#8220;Earth Song&#8221; is shown next, featuring a small girl who wanders through an abundant forest, falls asleep, and wakes up to find the forest destroyed by man. Jackson then performs the song both onstage and using the cherry-picker, with his voice being heard at the end telling of the dangers of Global Warming and the lack of reversible time left. Afterwards, Michael is seen conversing with Ortega, his dancers and band about the shows, trivial dance moves and his hopes for the concert series. He then performs a quick version of his song &#8220;Billie Jean&#8221; featuring an extra dance sequence. Michael is then seen talking to all crew members and wishing everyone the best for the London performances. At a sound check, Jackson performs &#8220;Man In The Mirror&#8221; with strong backing vocals. The film ends with Jackson with his arms extended on stage with the message: &#8220;Michael Jackson King of Pop Love Lives Forever</p>
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